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176 PROCEEDINGS OF THE AMERICAN 

CLADOCERA. 

Daphnella brachyura, Lievin. Daphnia cederstromii, Schoedler. 
Ceriodaphnia, nov. sp. Chydorus sphmricus, O. F. Mttller. Leptodora 
hyalina, Lilljeborg. 

[The above forms regarded as new will be described in time for 
a paper at the next annual meeting of the Society.] 

PHOTOGRAPHY. 

The session was opened by Mr. Griffith, the Director, announc- 
ing that Messrs. J. D. Cox and W. H.Walmsley had consented to take 
charge of the subject of photography by lamplight, in its application 
to the microscope. 

Mr. Cox, for himself and Mr. Walmsley, stated that the plan they 
had thought most likely to be profitable was to give some examples 
of actual work on microscopic objects with the camera, interspersed 
with discussion of practical questions, and of points suggested by 
members of the Society as the illustrations proceeded. Mr. Walms- 
ley had consented to perform the manipulations, and he (Mr. C.) 
would discuss the steps taken in the intervals when Mr. W. might be 
off the platform engaged in the " dark room" work. 

Mr. Walmsley first exhibited the apparatus to be used, which is 
an improvement upon that which has been frequently illustrated by 
engravings in the microscopical journals. The camera is construct- 
ed with a door in the side for reaching the inner partition used in 
copying photographs, but when this is closed the general construc- 
tion does not differ from the common double bellows camera with 
conical front for receiving the microscopic tube. The frame for the 
extension of the camera and clamping it, is hinged so that it may be 
easier to pack for transportation. The ground glass screen at the 
back of the camera has a small clear disc in the center, made by 
cementing a circular "cover-glass" on the ground glass surface with 
Canada balsam, which obliterates the roughness, making this spot 
transparent. By this arrangement the ground surface is used for 
coarser focusing and the transparent spot for the finer adjustment 
of the focus by aid of a Darlot focusing glass. 

Mr. Walmsley explained that the only change he had recently 
made in his arrangement of the microscope and light was to discard 
condensers (with the lower powers) and to be less desirous of secur- 



SOCIETY OF MICROSCOPISTS. 1 77 

ing extremely brilliant lamplight than formerly. Any good coal-oil 
lamp with a broad flat single wick was quite sufficient for the pur- 
pose. Of course the rejection of the condensers implied a lengthening 
of the time of the exposure of the plate, but his experience seemed 
to prove that the increase of excellence in definition and brilliancy 
of details more than compensated for the added time employed. 
The lenses he should use were Beck's lower powers adapted to pho- 
tography by the insertion of a concave lens behind the usual com- 
bination of the objective. The plates he should use were the 

but any of the standard dry plates for quick 
work, Eastman, Diamond, Seed, would give good results. 

His developer was an alkaline pyro-gallic acid developer not greatly 
varying from the standard developers of that class. The difficulty 
of complete exclusion of light from the lecture-room made it 
necessary to develop his plates in an adjoining dark room, where he 
regretted there was not room also for the members of the society. 

Whilst Mr. Walmsley was now busy in arranging the apparatus 
and centering an object on the camera screen, Mr. Cox resumed the 
discussion by calling attention to the fact that the rejection of con- 
densers in illuminating the object, and the consequent increase of 
time of exposure, was an application to photo-micrography of the 
principle so well known in landscape photography, that if it be de- 
sired to bring out the finer details in shadow, some method of 
increasing the time of exposure must be used. A similar thing had 
been noticed in astronomical photography, where stars too faint to 
be seen with the telescope were revealed by the sensitive plate if 
the exposure were sufficiently prolonged. It would seem that the 
impression was not so much due to the vividness of the light as to 
oft-repeated impact of even the faintest light waves. He thought it 
might be considered a valuable discovery in the microscopical de- 
partment of the work, that it is not the intensest light which is 
needed, — nay, that in photography, as in investigation with the 
microscope, there is a positive danger of " drawing out " the details, 
or at least of injuring them, by too much light. Mr. Walmsley had re- 
ferred to the use of lower powers, but within reasonable limits the 
same thing was true of the higher powers. In using a tenth or fif- 
teenth objective, the speaker had not found it practicable to dispense 



178 PROCEEDINGS OF THE AMERICAN 

with the condenser as Mr. W. did with a " two-thirds" or a "quarter " 
inch; but he had often observed that the mild, soft light of the coal- 
oil lamp had, with the higher powers, the same desirable effects 
which, with the low powers, were obtained by the rejection of the 
condenser. In using sunlight, the intensity of the illumination 
makes it difficult to avoid diffraction phenomena; objects seem to 
scintillate, especially at broken edges (as of a diatom shell), and are 
fringed, both to the eye and in the photograph, with brushes of 
light or parallel diffraction lines which interfere with true resolution. 
He thought the same difficulties likely to attend the use of electric 
light, in some degree at least, and suggested that the practical ex- 
ample before us taught the lesson of photographing microscopic 
objects with the most reduced light which is consistent with a 
reasonable time of exposure. Instead of being impatient to ap- 
proximate the sunlight with our artificial illumination, we should 
recognize the fact that the cheapest and most easily accessible of all 
lamps is as satisfactory in its results as it is cheap and common, if 
only you give it time. 

Mr. Walmsley now exposed a plate, the object being a section 
of Echinus spine and the objective a Beck two-third, adapted for 
photography as above stated. Mr. W. explained that if using a 
strong light with condensers two or three seconds would be a suffi- 
cient exposure, but that without these the exposure would be about 
five minutes. The lamp was placed so that the edge of the flame 
was toward the object, and about four inches from it. He strongly 
advised the use of the adapted objectives (of low and medium 
powers) as there was no embarrassment when using them with the 
question whether the visual and actinic focus were the same. One 
had simply to make the sharpest and best picture possible on the 
camera screen, and if the table were steady and there was no 
" springing " of the parts of the apparatus, the result was reasonably 
sure to be a success. In response to a question, he said he used the 
microscope without the eye-piece in this work, but as he rarely went 
beyond an amplification of four or five hundred diameters, he would 
not affirm as to the desirability of doing this with the highest 
powers. 

When the plate was taken to the dark room for development, the 



SOCIETY OF MICROSCOPISTS. 1 79 

discussion returned to the use of the eye-piece in photographing. 
Mr. Cox said that his own work had been almost exclusively with 
amplifications ranging from 750 to 2,000 diameters, and that for this 
work he invariably used the microscope with the eye-piece. In 
using low powers, and especially in using objectives adapted for 
photography, there were reasons why it would sometimes be con- 
venient to omit the eye-piece. It might be necessary to do so for 
the purpose of getting an illuminated field large enough upon the 
screen of the camera, or to reduce the amplification whilst using a 
favorite objective. With high powers, however, the consideration 
which is decisive with him is that the microscope was made to be 
so used. It is a compound instrument. The optician has con- 
structed it with reference to use with the eye-piece. He has labori- 
ously corrected the imperfections which the eye-piece discloses. 
To take away the eye-piece, therefore, is to risk undoing some of 
the corrections which the optician has labored upon, and to injure 
the image instead of improving it. To argue, therefore, that remov- 
ing the eye-piece is to remove also a cause of injury to the image 
seemed to him illogical. No one would say it would help an objec- 
tive to take out a lens from its system. It might be desirable to 
make an objective with fewer lenses; but once made, it must be 
used as was intended by the maker. Although the argument as to 
the eyepiece does not go "on all fours" with this, it is analogous. 

But it should also be remembered that before undertaking to 
photograph a delicate object, it has been studied under certain con- 
ditions. We have carefully adjusted the objective for the thickness 
of the cover-glass; we have used a particular eye-piece and perhaps 
a particular obliquity of light. Is it not reasonable to expect the 
most satisfactory results when we reproduce, as far an possible, the 
conditions under which we obtained the best picture for the eye ? 
May not a change of any of these conditions involve a change of 
the others ? If the photograph does not show us what we saw in the 
instrument, it will be very unsafe to say that this is a more accurate 
picture than the one we saw. When we have changed the con- 
ditions under which the picture was produced, we have no means of 
determining the extent to which this may have introduced error; 
certainly we have no scientific ground on which to affirm that we 



l8o PROCEEDINGS OF THE AMERICAN 

have increased the accuracy of the representation. We should aim 
to reproduce what we saw under the most carefully adjusted con- 
ditions and after the most sedulous care to correct the instrument 
properly in all respects. That is, as it would seem, the only possi- 
ble test of the performance of such an optical instrument as the 
microscope. 

Mr. Walmsley having returned with an ex'cellent negative of the 
object photographed, the discussion turned upon the making of paper 
prints. After describing the usual silver print process, Mr. W. ex- 
hibited some beautiful specimens of the permanent bromide prints. 
The advantage of these is found in the fact that the printing may 
be done by lamplight and with great rapidity. The developing pro- 
cess takes about as much time as the toning of the silver print, and 
about as much labor. For many subjects, Mr. W. said, the rough 
surface of the bromide paper gives an admirable effect. If a smooth 
and burnished surface is desirable it may be obtained by " squil- 
geeing" the print, surface down, upon a smooth plate of hard vul- 
canite rubber and letting it dry in that situation. If it is desirable 
to save the time of toning and fixing the silver prints, or developing 
the bromide prints, the best and most rapid process known is the 
"blue printing " as the ferro-prussiate process is called. 

Mr. Cox stated that he had been surprised to find how much 
difference there was in the time taken to make blue prints by means 
of different samples of paper. He had formerly supposed, from his 
experience with ordinary brands of imported ferro-prussiate paper, 
that from three to five times as long an exposure to the sun would 
be needed to make a blue print as was necessary for a silver print, 
and this went far to counterbalance the saving of time and trouble 
by getting rid of the toning and fixing processes. He had found, 
however, that the "blue " papers varied greatly in rapidity, and some 
samples which he had lately used had required only half the average 
time of silver printing. He had not leisure to prepare his own 
paper and was obliged therefore to buy it at the shops, and sug- 
gested that those who had experience on the subject should give 
information. 

Mr. Woolman inquired whether part of the difficulty was not in 
the stateness of the paper; he had found freshly prepared paper the 



SOCIETY OF MICROSCOPISTS. iSl 

more rapid in printing, and that to keep it good it must be carefully 
protected from both light and moisture. Paper is specially made 
for this purpose in the United States, in Germany and in France. 
It is in rolls of varying widths and thicknesses. For microscopical 
work he would recommend the "extra thin" paper, and that the 
members should prepare it themselves so as to be sure it is fresh. 

Mr. Cox said he had found no change in paper used by him after 
keeping it several weeks; but he was very careful to keep it in a dry 
closet and to roll it in "needle paper," or the orange envelope paper, 
turning in the wrapping paper at the ends so as to exclude all light. 

Mr. Ailing said he could recommend paper made for this pur- 
pose by the Hurlbut Paper Company, South Lee, Mass. It was fur- 
nished in different thicknesses and sized. 

Mr. Cox said it might be well to add a word of warning against 
using any blotting paper to dry or to pack the blue prints, except 
such as was known to be clean. He had once packed some damp 
prints between blotters which had been received from Mr. Walmsley 
with some silver paper which had been packed in them. To his 
surprise he had found these blue prints afterwards spotted with 
white as if flour had been sprinkled over them. He could only 
guess that the sheets of blotting paper had been saturated with car- 
bonate of soda as was sometimes done to help preserve the sensi- 
tiveness of the silver paper, but he was not chemist enough to know 
how this had affected the blue prints. A friend who had seen them 
had doubted whether the soda could have caused the difficulty, as- 
suming that the blue was a "Prussian blue," which is almost unal- 
terable. 

Mr. Walmsley said it was the fact that his silver prints had been 
packed as Mr. Cox guessed, in blotting paper containing carbonate 
of soda; but he left others to tell how this affected the blue prints. 

Mr. Stratton agreed with those who had recommended that the 
paper be prepared by him who used it, in order to secure freshness. 
He should not choose to keep it more than a week or two and then 
only by putting it in a thoroughly dry and dark place. A good 
linen " ledger paper," which can be got at any printer's, he found 
excellent for this purpose, though unalbumenized photographic 
paper is probably the best. 



Io*2 PROCEEDINGS OF THE AMERICAN 

The formula he used was : 

!Red prussiate of potash I oz. 
Water 6 oz. 

I Citrate of iron and ammonium I oz. 

i< Water 4-oz. 

( Citric acid 10 to 20 gr. 

Mix equal quantities of a and b, and apply to the paper with a 
swab made of Canton flannel wound a stick eight inches long, so 
that the whole width of eight inches may be used to apply the mix- 
ture evenly to the paper. The paper may be laid flat on a table to 
dry, and should be perfectly dry before using. 

Mr. Charles Ehrmann spoke in substance as follows : 

*' It has been mentioned here how Prof. Pickering, of Harvard 
College, has been enabled to photograph the optically invisible neb- 
ulse of the Pleiades. As well as Victor Schumann and Captain 
Abney have photographed the ultra red of the spectrum upon ortho- 
chromatic, that is, color-sensitive plates, may not the learned pro- 
fessor have been induced to use that kind of plates for his astro- 
photographic experiments ? The idea suggested itself to me, as I 
have been informed Prof. Pickering has experimented with hyaline. 

"Several inquiries have been made of me in the course of this 
day, as to a possible application of colored plates in photomicrog- 
raphy. There can hardly be any doubt as to their practicability, 
and an advantageous result of their use, in many cases, but it must 
be left to the specialist to experiment in that direction. 

" By my own experience I am led to advise those feeling inclined 
to take up ortho-chromatic photography to adopt the methods of 
Messrs. Mallmann & Scolic, of Vienna, which may be found in 
detail in the later numbers of The Photographic Times. 

" If I had to make blue prints in large numbers, I would discard 
paper prepared long before it is used. Its sensitiveness decreases 
by age, a decomposition takes place before exposure, aud conse- 
quently perfectly pure whites are difficult to obtain. The formula 
I have employed to make blue paper is as follows: 

\ 



Ferricyanide of potassium 1 oz. 

b. 



"' } Water. 4 oz. 

( Ammonio-citrate of iron I oz. 

( Water 4 oz. 

Mix equal volumes of the two solutions and spread over a sheet of 
Rives plain paper, by means of a tuft of cotton or a Buckles brush 



SOCIETY OF MICROSCOPISTS. 183 

and hang up to dry. I select large crystals of the prussiate, wash 
them, to liberate them from any decomposed salt adhering, and dry 
with bibulous paper, before I weigh out the quantity wanted. 

"About ten per cent, more of the iron solution tends to give the 
print more vigor and brilliancy. Many beginners in photography 
complain of week prints; they simply do not print deep enough. 

" The blue deposit is not, as has been stated, Prussian blue, but 
Trombull blue, resulting from Ferro-cyanide of potassium and a 
ferrous salt." 

Mr. Vorce gave the results of considerable experience with blue 
prints or cyanotypes, embodying several formuke which he had 
tested, with remarks upon the same, as follows: 

FORMULAE FOR PREPARING THE SAME. 

No. i. A quick-printing paper for immediate use, keeps good 

for a few days, but prints slower as it gets older: 

]Jr Ferricyanide of potassium (red prussiate of potash) % oz. 

Ammonio-citrate of iron 1% oz. 

Dissolve each in 8 fluid oz. distilled water, mix as soon as dissolved 

and use immediately. Coat the paper evenly with a wide brush, so 

as to leave no streaks, and blot off excess of solution to prevent 

spottiness. Dry in a current of cool air in the dark. Print in 

direct sunlight according to negative, but not too deep. Wash in 

clear running water in the dark until the high lights and unprinted 

parts are a clear, pure white; then dry. The above formula gives 

a bright, clear blue color. 

No. 2. English formula; paper keeps longer, but prints slower 

than the above; gives a slightly darker blue. 

ffe < Ferricyanide of potassium.., I oz. 

( Water 8 oz. 

I Ammonio-citrate of iron I oz. 

( Water 8 oz. 

Treatment same as above. 

No. 3. Commercial formula. Used by engineers, draughtsmen 

and many others for copying plans, drawings of machinery, etc. 

Rather a slow printing paper, but strong, dark color. 

Ijc j Ferricyanide of potassium I oz. 

Water 4 oz. 

Ammonio-citrate of iron 1 oz. 

Water 4 oz. 

Treatment same as before described. 



184 PROCEEDINGS OF THE AMERICAN 

No. 4. A good printing paper when fresh, slower than No. 1, 
but darker color, and giving good contrasts. 
fj; By weight. 

Ferricyanide of potassium 16 parts. 

Water 100 " 

Ammonio- citrate of iron 24 " 

Water 100 " 

Gum acacia 2 '* 

Water 100 " 

Mix equal volumes of the two solutions. Treatment same as in 
other cases. 

GENERAL REMARKS. 

i. The paper used for blue prints should be free from any trace 
of soda to insure permanency of the prints. No better paper can be 
found for the purpose than that known as "photographic plain 
paper," since all papers prepared for photographers' use are free 
from soda. Albumen paper can be used for cyanotypes, but is more 
difficult to coat evenly in large sheets than plainer paper. 

2. The water used for all the solutions should be distilled, or at 
least free from lime or soda. And the purer the water used for 
washing the prints the better will be the result. 

3. The solutions should always be mixed immediately before 
use, and should be used in the dark. A good plan is to mix the so- 
lutions and coat the paper in the evening, which may be done by 
gaslight, and hang it in a dark closet or room to dry. In the morn- 
ing the paper will be dry and can be put into light-tight boxes until 
used, which should be done the same day, if possible, as it works 
much better when fresh. One ounce of the mixed solution will coat 
ten or twelve square feet of paper if carefully used. 

4. The paper should be printed to a steel gray color in the 
lights, and the washing is best done in running water and in the dark 
or by gaslight. Washing by daylight will not spoil the print if the 
washing is not too prolonged. 

5. Over-printed prints can be reduced by a very weak solution 
of carbonate of soda, but are not likely to be permanent; and the 
prints are so cheaply and quickly made that it is wasting time to try 
to improve a bad print by reducing or otherwise. 

The beautiful-plates of diatoms in Schmidt's Atlas, which were 
copied and reduced by Prof. C. H. Kain, of Camden, N. J., in 
cyanotype, show how finely detail is reproduced by this process. 



SOCIETY OF MICROSCOPISTS. 185 

The plates printed by Prof. Kain were by formula No. i, above 
given, which is stronger in iron than any of the others. The bright 
color of his plates for that class of work seems preferable to a 
darker color. The prints of butter and fat crystals exhibited by 
Dr. H. J. Detmers, of Columbus, O., at the present meeting, were 
produced by formula No. 4, furnished by Prof. A. H. Tuttle. The 
prints of diatoms exhibited by Hon. J. D. Cox, at the Cleveland 
meeting were, in all probability, produced by formula No. 3, as that 
formula is given in many books and is much used. 

There is a method of cyanotype printing in which the paper is 
sensitized in a solution of an iron salt, and after printing developed 
in a solution of the potassium salt; but it is much more troublesome 
and no better than the usual method as above described. 
THE GENERAL SESSION. 

The exhibitors were promptly at their tables pursuant to adjourn- 
ment. A printed programme had been distributed,' giving briefly 
the work to be accomplished at each of forty tables arranged by 
those in charge about the spacious room, and most convenient for 
the large number of the Society and others who witnessed the work 
that interested them most. 

Some for whom a plan had been prepared were not able to at- 
tend; in the following account of the individual work the members 
of unoccupied tables are omitted. 

No. 1. Dr. C. M. Briggs, of Fairport, N. Y., placed a drop of 
fresh blood a little to the left of the center of the slide, and another 
slide, with the edge placed crosswise and at an angle, was drawn 
from left to right, thus wiping off most of the blood and leaving a 
thin layer of blood discs flatwise on the slide. This is allowed to 
dry, then the slide is placed on the turn-table, centered, and the blood 
turned down to a circle of the desired size. To stain the corpuscles, 
the slide is flooded with a solution of eosine and allowed to stand 
from three to five minutes, then flooded with water to wash it, and 
again allowed to dry, after which a small drop of balsam and benzole 
is placed on the slide, covered and heated cautiously. A little prac- 
tice will enable anyone to mount blood nicely in this way. 

No. 4. Mr. W. H. Brearly, Detroit, Mich., exhibited a portable 
holder for optical instruments.